Birth is a miracle, but in the case of Frankenstein's creature, this blessing of life is a curse. In the book Frankenstein, the protagonist Victor Frankenstein plays God by creating life with his own hands. Society portrays this creature as a horrid, bloodthirsty monster, and society refuses to accept him as a human being. Frankenstein, the creator, fails to take responsibility for what he created, and leaves the creature in mere desolation, almost like an orphan. Mary Shelley, the author of Frankenstein, conveys the impression of the creature as a baby through her use of rhetorical devices, with the attempt to build pathos to evoke sympathy and contempt towards the protagonist.
In the passage, Shelley relates the creature to an infant using sensory details, with the goal of creating sympathy and anger. Specifically, when the creature had awakened, "[he] felt cold and half frightened. " The creature is truly a baby. This demonstrates the feelings of a newborn when it wakes up cold, frigid, and scared in the middle of the night. The juvenile characteristics stress the creature's immaturity. Shelley personifies him as an infant to evoke the warm feeling of compassion. However, she subtly shifts her purpose. She also wants to instigate fury within the reader because of carelessness Frankenstein shows for his helpless child. In addition, "[the creature] learned to distinguish between the operations of [his] various senses. " The creature lacks the art of thinking and reasoning. He is just becoming aware of his own five senses: sight, sound, smell, touch, and taste, just like any other newborn. The creature is flailing around on his backside while his senses are opening up. However, he does have a desire to learn. He learns to differentiate between these bombarding senses which show growth. The reader feels pity due to the lack of experience the creature has had. On the other hand, it leads the reader to burn with rage to see this infantile creature abandoned, alone, and afraid.