With three texts spanning over four centuries, not only does the style of writing change, but the presentation of relationships becomes arguably more realistic. In terms of love, it is arguable that all three texts; "Hamlet," "Sons and Lovers," and "A Streetcar Named Desire," present it as a destructive and negative force. However, there are differences with the way it is presented. Shakespeare's 17th Century revenge tragedy differs greatly to the other texts, mainly because it is set within the court so all relationships are portrayed to have political influences. "A Streetcar Named Desire" and "Sons & Lovers" are comparatively more concerned with ordinary society not that of a monarch. The clear similarity in the presentation of love is that it is an ultimately destructive yet defining force.
Despite the differences in time, familial love is still presented in a similar way. Both "Sons and Lovers" and "Hamlet" display extremely strained and almost oedipal relationships between the mothers and the children in the respective texts. Both Gertrude's are blamed by audiences for their arguably strained relations with their children. Yet this could be viewed as unjustified as both texts present them as arguably formidable; Gertrude in Hamlet may be viewed critically by audiences as she seems to act without grief when referring to her late husband's death as "common"" in Act One, Scene Two. This causes resentment from Hamlet due to the grief and love he feels for his late father, which affects his familial relationship with his mother in a negative way. However this could be due to the fact that Gertrude is, more than any other character in the play, the antithesis of her son, Hamlet. He is the epitome of the Renaissance man who cares nothing for his "mortal coil " and the iniquities and lifestyle of which Claudius, for example, is bound to. .
Gertrude, on the other hand, could be viewed by audiences to be superficial and only to think about herself.
Tennesee Williams' Use Of Stage Effects And How They Change A Streetcar Named Desire Tennessee Williams' A Streetcar Named Desire is mastery of the use of lighting, setting, and sound to add to emotion and meaning to a play. ... It seems that the minor details of music, sound effects, lighting, and setting were actually some of the most important points of A Streetcar Named Desire. ...
Williams' "A Streetcar Named Desire- and Ibsen's "A Doll's House-: Dramatic Conflict in the Male/Female Relationship In any narrative, the development of the plot and the creation of compelling characters depends on a single literary element: the presence of conflict. ... It is the masterful portrayal of this age-old conflict between the sexes that serves as the dramatic centerpiece in both Tennessee Williams' "A Streetcar Named Desire- and Henrik Ibsen's "A Doll's House."" ... The conflict in the play is subtle and drawn out rather than explosive as in "A...
The plays Antigone, Hamlet, and A Streetcar Named Desire use at least some of these qualities. ... In the play, A Streetcar Named Desire, there are no characters of royalty. ... In A Streetcar Named Desire, there is no constant reference to God or fate. ... In A Streetcar Named Desire the tragic hero is Blanche. ... The catharsis in A Streetcar Named Desire is the downfall of Blanche. ...
That play was A Streetcar Named Desire. ... It is no surprise that Williams again turned to Mielziner to design A Streetcar Named Desire. ... Thanks in large part to A Streetcar Named Desire, the duo of Mielziner and Williams helped to change theatre. ... At the time of A Streetcar Named Desire, "it was more like an accusation" (Murphy 1). ... When it came to A Streetcar Named Desire, Kazan's collaboration did not come cheap. ...
In A Streetcar Named Desire the part that Tennessee Williams' life plays in the text is fairly large. ... His father withdrew him from university to work at the International Shoe Company, where he met Stanley Kowalski, who Tennessee Williams' has plastered all over A Streetcar Named Desire. ... Quoting A Streetcar Named Desire: The Playwright (http://hipp.gator.net/scarplaywright.html): 'He was noted for bringing to his audiences a slice of his own life and the feel of the southern culture. ... A personal interest/experience in the themes/issues and characters would not have...
The purest language of plays" - just by studying 'A streetcar named Desire" the reader can identity the numerous symbols Williams' uses to add depth to the plot as well as unveil his characters' personalities, strengths and weaknesses. ... Light, animal characteristics, music and the streetcars Desire and Cemeteries are symbols that Kazan puts emphasis on in the film just as Williams does in the play to lead up to the climax of Blanche's disintegration into insanity and Stanley's brutal triumph over her. ... "They told me to take a streetcar named Desire and then tr...
Lawrence's classic novel Son's and Lovers, the character of Paul Morel is developed through his relationships with three women, Gertrude, his mother, and his two loves Miriam and Clara. ... It is no coincidence that Gertrude shares the same name as Hamlet's Queen Gertrude, for both women share the mother's possessive role of the Oedipal complex. ... At times Paul and Gertrude's closeness is almost like that of a couple, for example while the mother and son dine in town together, Paul thinks of her as "gay as a sweetheart", and feels the "excitement of lovers". ... A...
Tennessee Williams A Streetcar Named Desire- Tennesse Williams is known as one of the greatest American playwrights. ... Among his most notable and successful plays were "The Glass Menagerie-, which he refers to as "memory play-, "A Streetcar Named Desire-, "The Rose Tatoo- and "Cat on a Hot Tin Roof- for which he was appreciated winning the Pulitzer Prize. ... "Streetcar Named Desire- which was firstly entitled "The Poker Night- emerged right after the theatrical success of "The Glass Menagerie- when the authour learned to play poker game. ... The moment Blanche appea...
