"We all go through the same thing, it's all just a different kind of the same thing. For many years, women have been treated as second class citizens in a male dominated society. Their job has been to have babies, raise them, take care of their household, clean, cook please their husbands. .
Over the past century, women have started to take a stand and cross over into male dominate careers. Sylvia Plath and Susan Glaspell are prime examples of women who bucked society's expectations and entered into - and succeeded in - predominantly male careers. The unknown female character in Sylvia Plath's poem, "Mirrors," reflects Plath's own emergence into a woman who is coming to understand the truth despite the demands of age and time. Meanwhile, Mrs. Wright, the protagonist in Susan Glaspell's one-act play, "Trifles," is a woman accused of killing her husband for reasons unknown to the men in her town; but the women in town are aware of the crime that she has committed. Both author's effectively use symbolism, characterization and personification to challenge their readers perceptions of truth, self-knowledge, and identity. And it's clear that both women believe that before a woman can push through the obstacles she'll face, she must be fully true to herself.
The truth, however, is sometimes hidden under the layers of life's worst circumstances. In "Trifles,"" Mrs. Hale, visits the home of Mrs. Wright, to deliver some goods to here since she was being accused of killing her husband. She discovers that a canary that Mrs. Wright had purchased from a local merchant, had been killed by Mr. Wright. "No, Wright wouldn't like the bird, a thing that sang." She used to sing. He killed that, too" (Glaspell 1.1.124). The killing of the bird symbolizes the stifling of Mrs. Wrights voice; the quick removal of her one bit of premarital independence and happiness.
When the bird died at the hands of her husband, Mrs.