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Contentration Camp Liberated: Dachau


            Martha Gellhorn writes a chilling account of life in Dachau, the original German concentration camp. She visited Dachau as it was liberated by a psychological state of the prisoners themselves. She converses with them and recounts the horror to which they were subjected. Despite most readers varying degree of familiarity with the truth of what occurred within the Nazi's numerous concentration camps, one cannot help but be moved by Gellhorn's words as we struggle, once again, to comprehend man's capacity for such heinous atrocities. .
             Gellhorn begins by setting a scene in which she shares a plane with American prisoners of war immediately after being liberated from Dachau. She builds anticipation with dialogue of the soldiers' concern that no one will believe them and their insistence that they must talk about it. Gellhorn must also wonder how best to write the unimaginable to an audience that may not desire to be enlightened to it. She creates a buffer for her audience by not directly referring to the prisoners as people per se' but as "skeletons" with "no age and no faces". In so doing, Gellhorn provides the reader some emotional distance from the individuals she writes of. This kindness, however, is not strong enough to render us desensitized as their terrible tales unfold. .
             When Gellhorn does include testimony from a specific prisoner, she impersonally names them 'Polish doctor' or 'colleague' or 'surgeon'. She eerily conveys their emotional detachment, irony even, that they have adopted in this environment by quoting, "The Germans here made some unusual experiments". When someone is talking about killing thousands of people in the interests of scientific curiosity, some of which served to advance science no further at all, 'Unusual' is a massive under-statement. .
             As Gellhorn's account guides her audience through the compound she momentarily relents her objectivity and expresses her distaste with the words "In Dachau, if you want to rest from one horror, you go and see another".


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