1. Doris Lessing's Life
In Doris Humphrey, "The Art of Making Dances", she elaborates on her thoughts of movement in dance. She first explains how dance has expanded over time. She expresses her feelings on the kinds of individuals that should be granted the opportunity to be choreographers. She feels that choreographers need to know their body, have and opened mind, observant, sensitive. They need to consume traits of inspiring nature, imaginative, dramatic ability, articulate, and musically literate. She further talks about subject matter. A piece that one creates should have meaning behind it, even if the audience doesn't quit understand. .
As the book proceeds she describes the different kinds of structures one could pursue. Symmetry and Asymmetry are the two categories of design that are defined. They also can be oppositional and successional designs. Her meaning for this is to show balanced and unbalanced structures. Then to continue the craft of dancing, she offers new positions, turns them from a solo to multiple bodies and yet still conveys meaning behind her composing. .
Her most extensive point was that of using stage space. All movement has characteristics that are sharp accent, sustained flow, and rested. The rise and fall of movement and how there is stillness before and motion. This leads into the last part of the book which are the elements. The elements of dynamics, rhythm, gestures, words, music and if chosen props, can create the personality of the dance. Theses elements can be every powerful in stylizing a dance. Doris Humphrey was a great figure in the dance world. She understood gravity and its force upon the body. This helped her define dance and movement in a whole new way.
Reflection.
After reading "The Art of Making Dances", I feel that Doris Humphrey was way ahead of her time. She discovered a system of dance and put it into words for generations of dances to endure. Her theory of "fall and recovery" was the foundation of her teaching method and her choreography.
A free essay on A Sunrise on the Veld In "A Sunrise On The Veld" by Doris Lessing, the protagonist gains a greater consciousness through the exposure of a new reality and truth of which he was not previously aware. ... The type of initiation both characters had was a distressing journey from innocence to knowle A free essay on A Sunrise on the Veld In "A Sunrise On The Veld" by Doris Lessing, the protagonist gains a greater consciousness through the exposure of a new reality and truth of which he was not previously aware. ... The type of initiation both characters had was a distressing...
Alan Bennett is very clever in the way he puts across what Doris first says. ... I think he probably uses it here as he wanted to give us some idea of what Doris is like before letting us know what she had done. ... Is more literally true than Doris intended it to be. ... Doris also starts to mention another character, her deceased husband Wilfred. In the next section of the play Doris brings up the topic of the garden gate, which has wanted "doing for years-. ...
ANALYSE Doris Lessing's A WOMAN ON A ROOF IN LIGHT OF STRUCTURALISM Structuralism concentrates on elements within work of literature without focusing on historical, social and biographical influences. ... For instance, without taking into consideration Doris Lessing, we can give her story a multitude of interpretations. ... In Doris Lessing's story, agents such as sexuality, including femininity and masculinity and non-verbal communication form the semic code. ... In Doris Lessing's story, the red colour, for instance, is used to symbolise femininity, sensuality of the woman ...
When dealing with Doris, it is or can be a confusing situation, from different viewpoints it may seem her home is a sanctuary, but also a prison. ... Each persona whether it is Graham or Doris each has its own characteristics, which can be linked to each and every one of them. ... Doris, Graham and Irene (even though they do not know it) are all rebels against society. ... With Doris and Irene, their characters are stereotypically portrayed in Talking Heads. ... So this social issue which is in Britain, did it force Doris to choose the ultimate sacrifice?. ...
I was inspired to join by my best friend Doris, but when she had decided to join the Navy, I was the one trying to talk her out of it. ... That evening Chief Diaz arrived to transport Doris and me to John F. ... Doris grabbed my hand, squeezed it, and we gave each other a hug before standing up. ... I ran to the pile, grabbed my red bag, saw Doris's bag and placed it on the top so she could find it easier. ... Then I realized I hadn't seen Doris. ...
During this era, Doris Anderson worked as an editor at Chatelaine magazine. Instead of viewing women as passive victims, Doris Anderson liberated women through her work at Chatelaine. ... At the age of thirty-five, Doris met David Anderson, and was married on May 24, 1957. David and Doris Anderson had three children together: Peter, Stephen and Mitchell Anderson. ... Anderson's parents were keen on molding Doris into a lady, but Doris "began to chafe against the kind of life she (her mother) expected me to live, although her expectations were not more limited than those of most mothers of...
