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Antigone


Haemon goes on to say, "No marriage could ever mean more to me than you", conveying the emphasis he puts on paternal bonds over nuptial unions (line 711). However, in a later section of the play, Haemon attempts to kill his father because he believes his father causes Antigone to kill herself. While in the beginning of the play Haemon glorifies his father, he later rejects his principles on the importance of paternal relationships for the strong bond between husband and wife. Haemon's change in values occurs very suddenly; the reader does not witness this progression of Haemon valuing a bride over immediate family members. Therefore, his contradictory values reveal an ironic tone. However, the explicit sparagmos imagery of death that hinders the couple from marriage (lines 1334-1371) move the reader's attention away from Haemon's inconsistent family values, and toward a deep sympathy for the young couple who has prematurely taken their lives to fight for the principle of valuing intimate relationships over civil law. Therefore, the sympathy within this selected passage indicates a pathetic tone. .
             The ubiquitous motif of marriage displays Antigone and Haemon's strong desire to wed each other. When the messenger recounts how he finds Antigone, he observes Antigone dies, "hanged by the neck in a fine linen noose, /strangled in her veils" (line 1348). Antigone's fine linen noose reflects her elaborate clothing, which suggests she dressed up for a special occasion. The addition of veils in Antigone's attire confirms the occasion as a wedding. Veils represent dramatic statements in Greek culture for important events, like weddings (Greek Drama). The presence of veils wrapped around Antigone's neck at the time of her death reveals her unconditional desire to wed Haemon. In an earlier passage, Antigone cries to the people of Thebes, "denied my part in the wedding songs/ [ ] I go to wed the lord of the dark waters" (lines 906-908).


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