Michelangelo (1475-1564), Italian painter, sculptor, architect, and poet whose artistic accomplishments exerted a tremendous influence on his contemporaries and on subsequent European art. Michelangelo considered the male nude to be the foremost subject in art, and he explored its range of movement and expression in every medium. Even his architecture has a human aspect to it, in which a door, window, or support may refer to the face or body, or the position of architectural elements may suggest muscular tension. The greatest artist of the human figure was also one of Renaissance Italy's greatest poets. Observing the originals' meters and rhyming, though not always according to the original schemes, Nims' translations allow us to appreciate that greatness. Like other Renaissance poets, Michelangelo wrote primarily of love. Like Shakespeare, Michelangelo loved both men and women and both spiritually "fair" and "dark" ladies. Unlike Shakespeare, he specified who the men and the fair lady were, though not who "the lady beautiful and cruel" was. That this great artist represents himself as unworthy of his loves and frustrated by his inadequacies (many of them having to do with his age, for these are poems written mostly in his 60s and later to much younger beloveds) is conventional--other sonneteers and madrigalists of the time voiced similar sentiments--yet as Nims' accompanying text makes clear, it is also psychologically accurate. Those still hankering, after The Agony and the Ecstasy and several biographies, to know what the greatest Western artist "was like" should turn to these poems.
Michelangelo continually sought challenge, whether physical, artistic, or intellectual .
He favored media that required hard physical labor "marble carving and fresco painting. In painting figures, he chose poses that were especially difficult to draw. And he gave his works several layers of meaning, by including multiple references to mythology, religion, and other subjects.
Michelangelo Michelangelo was pessimistic in his poetry and an optimist in his artwork. ... Michelangelo's sculpture brought out his optimism. ... Michelangelo's sculptures were his goals. ... I think that Michelangelo was to good of a person. ... Michelangelo is my role model. ...
Michelangelo was constantly in the presence of art. ... Michelangelo's true love began in sculpture. ... Michelangelo used only the brightest colors. ... It took Michelangelo four years to complete. ... At the age of 89, Michelangelo died. ...
Michelangelo Michelangelo was one of the greatest artists to ever live. ... There is much to learn about Michelangelo, and the masterpieces he left behind. Michelangelo Buonarroti was born on March 6, 1475 just outside of Florence. ... Michelangelo followed his own wishes however and studied painting in Ghirlandaio's studio. ... The Sistine Chapel, one of Michelangelo's most famous works, was almost never done. ...
Michelangelo Buonarroti is one of the best examples of such greatness. ... Michelangelo's father, Ludovico Buonarroti had connection to the Medici family. ... Michelangelo painted his own image in the flayed skin of St. ... Michelangelo worked right up until his last week. ... Michelangelo led a life worthy of our utmost attention. ...
Michelangelo was born the second child of five brothers on March 6, 1475. ... Michelangelo took this time to study "art of the classical past."" ... During his time in Rome Michelangelo was patronized by Pope Paul. ... Michelangelo switched gears altogether when he met Vittoria Colonna. ... Michelangelo Buonarroti ...
In Michelangelo's two frescoes in the Sistine Chapel, the ceiling and the Last Judgment, an obvious change occurs in Michelangelo's style of painting. This change is exemplified primarily in the way Michelangelo portrays the male nude body. The changes in the presentation of humanism by Michelangelo in these two paintings were heavily influenced by the historical events that Michelangelo was living through at the time of the paintings. ... Michelangelo uses chiaroscuro to give Adam a three dimensional sculptural feel that David possesses. ... Michelangelo was able to use his painting...
Michelangelo Buonarroti: The Sistine Chapel ceiling Michelangelo, a painter, sculptor, and architect, was born on March 6, 1475 in a village called Caprese. ... Because of this, Michelangelo thought that he "was being pushed aside by rival claimants on funds". ... He began painting from the end of the story and worked to the beginning (Michelangelo). ... It required Michelangelo to look at his work as a whole, but actually paint in patchwork fashion. ... Michelangelo painted a total of nine frescos on the ceiling. ...
Michelangelo Buonarroti was born in 1574 in a small town near Florence called Caprese. ... After finishing David, Julius II summoned Michelangelo to Rome to work on his other most famous project, the Sistine Chapel. ... Since the pope was starting to get low on funds, he then asked Michelangelo to go and finish the Sistine Chapel instead. ... Michelangelo's skills as an architect had come into its own by 1519, when he was asked to design the Laurentian Library. ... In the end, Michelangelo was a very inspirational, life changing man. ...
"The Fall and Expulsion", a panel on the ceiling of the Sistine Chapel, by Michelangelo is a painting portraying a story. ... Michelangelo's payment for his work came from the pockets of the Catholic Church unlike Rembrandt who's pay came from the pockets of the wealthy men whom he painted in this work. ... Both Rembrandt and Michelangelo did a lot of research to become as great as they both are. Michelangelo tried to learn the secrets of the ancient sculptors who knew how to represent the beautiful human body in motion, with all its muscle sinews and soon there was no movement or...
According to one source, Michelangelo Buonarroti, the greatest of the Italian Renaissance artists, is born in the small village of Caprese on March 6, 1475 (Michelangelo Born). ... In 1502, Michelangelo returned to Florence, which had become a republic. ... Michelangelo did continue to work on the tomb, off and on, for decades. ... With help, Michelangelo completed a model of the dome in 1561. Michelangelo came down with a fever on February 12th 1564. ...
