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The Crucible


            Arthur Miller's play The Crucible demonstrates the way in which theocracy controls and maintains social order in Salem. This parallels with the McCarthyism in the 1950's in America, the time in which it was written. When a group of young girls are found dancing in the woods it is immediately associated with witchery and the devil. From that point a snowball effect takes place in Salem, fallacy, paranoia, and malevolence absorb the small town. Because of these incidents it becomes possible for people to express their sins under cover of accusations against the victims, some use it as an excuse for capitalistic gain, and others for attention. The power of the church and false accusations leads to mindless persecutions ending in madness. The Crucible shows how the ecclesiastical and state authorities impose fear and university degrees on the town so that they can govern and control social hierarchy.
             Arthur Miller illustrates how dominant characters with a higher and more important status in the church hierarchy can control the town; the audience is positioned to see how people use other people's fear to reinforce puritan ideals. As God is the supreme, the clergy of Salem feel that because they represent him on earth, that they have the power to do whatever is necessary. With god as their weapon of power they can also be seen as supreme even though they are mere mortals. When Hale arrives from Beverly he manipulates the town into believing that he can handle the situation of the devil.
             Hale: You know the devil can never overcome a minister.
             This remark portrays the reverend as a hero thus winning the town over as their saviour. In a time of such superstition and chaos it would be very reassuring to hear this. However Hale has gained his confidence in saying such a bold statement from his books. Realistically a man could not overcome the Devil but his status allows him to say that through means of control.


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