And once he got out he finished his degree in English at Columbia university. Either way Amiri was on his way to being a great literary giant.
While in the Air force he read and read, he read all the greats. He kept journal to keep track of his thoughts and practice his writing skills. Quickly growing sick of a life in the military Amiri left the Air force after three years. "One can, without exaggeration compare his fervor to that of such figures as Malcolm X, Eldrege Cleaver, and Etherige Knight. Like these writers, Baraka managed not only to survive and "incarceration," but to sustain himself through a fierce dedication to the written word."(To Raise, Destroy, and Create: pg. 2) This is when we enter: .
The Beat Period 1957-1962. .
During his beat period, Baraka was living in New York's Greenwich Village. In 1958 he married white, jewish, intellectual Hettie Cohen in a Buddhist temple. Together they published a literary magazine called the Yugen. It was said that Hettie did the pasting and collating on the kitchen table and LeRoi wrote or found the poem that where to be in the magazine. She was the one who introduced him to the bohemian art secne. LeRoi credits Hettie as his biggest influence on him as a writer. She helped him hone and shape his talent. It was during this period that the home of LeRoi and Hettie served as a cultural center for avant-garde artists of all mediums. Writers, painters, and jazz musicians were frequent guests. In the midst of these energetic rebels, Baraka published his earliest poems and plays, works which now not only show his close relationship with the Beats, but works that also introduce those knowing personal concern that ultimately tear him from this group. .
Amiri socialized with bohemian figures such as Gins burg, Frank O"Hara, and Gilbert Sorrention. He was greatly influenced by the white avante-garde: Charles Olsen, O"Hara, and Ginsburg, these three men shaped his conception of a poem by being informal and and open in form.