In the Greek society, the ideal of comedy was formed from the cognitive idea of "this couldn't happen." This form was used in the play, Lysistrata, to illustrate this point. Such pessimistic ideas were the sexual content, women as leaders, and a female controlled society. .
The idea of sexual control to end a war was far fetched. That by women abstaining from sexual intercourse with their men and denying any such relationships with them that the war between Athenians and Persians would be ceased. This war would have happened with or without the women anyways and would continue till a victor arose from battle. This is shown true by the length of the war and by the treaties that were continuously rejected by Greece. The ideal that was conjured by Lysistrata was one of great ludicrously thought for the social rules of the Greece. Women during this time period played the part of the housewife. Cooking for the men, caring for the children, and attending to the household duties was their main objectives. Women would not have dared such a bold overthrow of social roles. .
Secondly, Lysistrata in a role of power, commanding the women as if she were a general of an army is the next abstract in the comedy. As mentioned before, during this time period, women would stay at home and deal with the issues that involved the household and not the outside world. The women were viewed as property of the men and the men were law or "king of their domain" not to be questioned by anyone within their household. Lysistrata taking this role as a commander is not characteristic of women during this era. To convince other women to go against their men and lovers in hopes of ending a war, to ban all men from the acropolis, to plead to the magistrate and still live after that, and finally, bring idealism of democracy to the government. These actions all done by women of this era are simple ridiculous. .
Next is the females" controlling the acropolis and the societal rule within this time period.
Knowing their physical limitations, the women decide on a plan of attack that is lead by Lysistrata. Lysistrata is the mastermind and director of the action in Lysistrata. ... Lysistrata proved to be an influential leader to the women. ... Lysistrata is very different from her female counterparts. ... The Chorus in Lysistrata is split into two, the Chorus of Men and the Chorus of Women. ...
Knowing their physical limitations, the women decide on a plan of attack that is lead by Lysistrata. Lysistrata is the mastermind and director of the action in Lysistrata. ... Lysistrata proved to be an influential leader to the women. ... Lysistrata is very different from her female counterparts. ... The Chorus in Lysistrata is split into two, the Chorus of Men and the Chorus of Women. ...
Lysistrata Lysistrata is a play written in 411 BC by Aristophanes, who was a satirist. ... Lysistrata is probably the oldest comedy which has retained a place in modern theatre. ... In Lysistrata, Lysistrata defies the system of the oikos as represented as sex and attacks the privilege of war. ... Therefore, Lysistrata is defined as a woman who enters the world of the man and conquers it. ... Lysistrata is a reactionary, she wishes to preserve the way things were. ...
After reading Lysistrata, it is very obvious that it is a "Brillo pad comedy" aimed at reforming Greek society. ... It is Lysistrata who is the only one with any resolution and she is summoned by the chorus with the words, "All hail, O manliest woman of all!" ... Aristophanes was using the women and using the dialog of Lysistrata to get his point across. ... Lysistrata's speeches such as the one from line 650 to 670 give Aristophanes" specific instructions to the Greek leaders. ... Perhaps even more enlightening are Lysistrata's words regarding Greeks and Spartans on lines 1267-12...
Lysistrata Aristophanes was a comedy poet in the fourth century B.C. ... Lysistrata was schooled in the traditional fashion, by learning from older men. ... Like the heroines of tragedy, Lysistrata wants to put things back to the way they were. ... His catalyst was Lysistrata, feminist champion over war through peace. ... In the opening scenes of the play Lysistrata says "I'm furious with women and womankind. ...
Written during the war, a time of chaos and crisis in Greece, Aristophanes" play Lysistrata was an attempt to lighten the atmosphere of the country, and provide humor for the people. ... In the opening scene, when Lysistrata is explaining her plan to the other women, Aristophanes shows the way females use their femininity and sexuality to gain power. They are going to "sit around all prettied up in flowers and scandalous saffron-yellow gowns, groomed- I do not think that Lysistrata was, in any way, a threat to the hierarchy of the government because at that time, females were looked upon...
Lysistrata By Aristophanes We can force our husbands to negotiate Peace, Ladies, by exercising steadfast Self Control- By Total Abstinence.......Total Abstinence from SEX! ... This group of girls, lead by Lysistrata, decided to not allow their husbands to have sex with them until they came home for good and stopped the war. ... Lysistrata held a meeting to give the women their plans. ... Eventually they are persuaded and they agree with Lysistrata. ... Lysistrata is a strong woman, a very strong woman. ...
The reader cannot help but smile when Lysistrata demands the women repeat the oath: "To husband or lover I"ll not open my thighs though he bring proof-of-love of monstrous size" (Lysistrata 260-264). ... "Lysistrata," demonstrates the depth of loathing for the war that was prevalent throughout Athens after the ruinous campaign to Sicily. ... Lysistrata's scheme to force the men of Greece to the peace table could never have been successful. ... Lysistrata does not cry for the loss of "women's way" but instead encourages the other women to use, literally, their sex as a weapon. ... ...