As a young man in the beginning of 1993 I saw my first bullfight in The Plaza de Toros, in Cartagena. That late afternoon was enough for me to experience what is good and what is bad. The bravery and skills of the Matadors were enough to fascinate me, while the brutality of it all made me a little bit sick. .
While doing the research this unknown of which side to pick was stronger, I found out that Ernest Hemmingway, a great writer, was troubled by the same decision in "Death in the Afternoon" (1932). After finishing all my research I developed a greater respect for those magnificent bulls and the entire celebration of bravery found in the art of bullfighting. .
The history of bullfighting can be traced back to the civilization of Crete, in Greece. It started when Caesar found the Iberians playing with wild bulls; he was astonished and fascinated by their courage. The Spaniards and the Moors followed the tradition, but this time they where riding a horse to fight the bull. It was not until a nobleman was rescued, back in the 17th century, by a peasant named Francisco Romero that the art started to flourish. This peasant confronted the bull on foot, evading him with his hat and then killing him with a sword. Nowadays there is rules and regulations to follow, making a bullfight a great ordeal. .
First the bull is let loose in a big circled ring called Plaza de Toros. The bull has stuck to his back a little colored flag, representing the breeder. He has to be of 3 or 4 years of age and they usually have an average weight of 480kg. The fight is divided in three tercios, but before any of this episodes start the Matador and his seconds flash their pink and yellow cape to the furious bull that is attacking anything that moves. When the first tercio is about to start, the crowd and the Matador are announced by a series of trumpets being played in the background. Then two big horses come in the ring, heavily protected they are being ridden by the Picador.
He understood the art of bullfighting like few Americans did. ... Hemingway also had a deep appreciation for bullfighting. He was fascinated by the combination of art and sport. ... He saw it as a beautiful display of art and skill, involving as much emotion and grace as a classical tragedy. Hemingway respected bullfighters because they believed in the art of bullfighting so deeply they would die for it. ...
The spectacle of bullfighting, which is deeply praised the city of Pamplona, Spain, provides great pleasure to the reader while simultaneously exposing them to feelings of discomfort and anxiety. Throughout The Sun Also Rises, a bullfight is epitomized as a graceful ballet between a handsome, valiant matador and a large, daunting bull; it is depicted as an exceptionally beautiful and delightful art as well as a motivating pagan ritual for Spaniards. ... However, on the flip side, bullfighting also engenders a significant dose of disquietude within the reader. ... By immersing themselves into t...
There are three stages, or tercicos, in the process of the corrida, or bullfighting. ... For many Spaniards, toreo (the art of bullfighting) is a noble part of the heritage. Just the mere fact of talking about banning bullfighting is an assault on the essence of their being. However, bullfighting today is often debased by practices designed to disadvantage the bull. ...
When he got older, Goya traveled to Italy to study art and observe art styles of the Italian masters. ... Also, during this period Goya began to synthesize neoclassical and rococo art into his own. ... One of Goya's last publications of his works was in 1816 when he submitted his etchings on bullfighting called the Tauromaquia. This work illustrated the glory of Spain's history and bullfighting in a series of etchings. ... The Raft of the Medusa was truly the quintessential example of romantic art at its highest. ...
The famous capital of Spain since 1562, more commonly known, as Madrid is a city filled with amazing sights. From it's monuments, museums, cafés, and nightclubs, this is a warm and lively city. Madrid id located in the center if the Iberian Peninsula, because of its location as well as its high alt...
Picasso wanted to create something different from the art of the high and powerful royalty. ... This is only one example of how Pablo Picasso went against the art norms. ... Francisco Goya's obsessions of warfare, brutality, and bullfighting infected Picasso. ... Picasso joins the Spanish in creating an art showing in 1937. ... "Guernica" is now displayed in New York at The Museum of Modern Art....
Knowing very little about bullfighting kept me puzzled about the sport until I met Romero. ... Without understanding the art and style that Romero possesses, Brett would seem more like a tramp than a woman with an obsession. Without this knowledgeable narration from Jacob, the reader could have many misunderstandings about bullfighting and Brett-which alone could've changed the whole context of the story. ...
Picasso made his first trip to Paris in 1900, then the art capital of Europe. ... In 1904 Picasso and an anarchist friend published five issues of an art magazine titled "Young Art". ... Each woman in Picasso's life drastically changed his art. ... Spain is known for their fierce bullfighting and annual bull runs. ... Culture, wars and art of Spain are all tied into Picasso's world-famous mural Guernica....
Picasso's masterpiece Guernica, 1937,is modern art's most powerful statement against war. ... Initially Picasso intended to paint a representation of the freedom of art, using a studio scene with painter and model. ... The bull is a motif commonly used by Picasso because of its association with bullfighting and Spanish culture. ...