Life would have been terribly drab if colours did not exist. I cannot imagine a world where there was a total absence of colour. It is enough for us to look at the dawn after the darkness of night to know the difference. Landscapes and seascapes take life from the different shades of greens and blues, the colours of the birds" feathers, the different colours of fish, and the multicoloured flowers.
We only realise what colour means in our life on a grey wintry day, when the sun does not shine and when all around us is cold. Here we stop to think what the moon must look like in all its monotony of grey or how tiring it would be to live on Mars with its constant red colour. Psychologists believe that in northern countries there is a large number of people who commit suicide simply because there is an absence of light and colour for such a long time, because of the cold dark winters. People are asked to paint their homes in "happy" colours like yellow and green to keep depressions at bay. Just think how happy we are when we see a rainbow I the skies. All those colours make up for the greyness of winter skies.
Colours bring to mind painters. These could not exist without colours. Very often painters copy nature, other times they imagine a scene and give it imaginary colours. They light up our walls with pictures. Colours in the advertising business are extremely important. The use of certain colours and not others attracts the attention of a would-be buyer even more than words in an advertisement. Wrappers around tinned foods at Supermarkets also play an important part in the sales business and all this because of colours. Photography is also a wonderful art especially a moment in nature becomes immortalised by a clock of a camera. Fashions could not be so prominent if colours did not exist. Young men read chemistry of colours at university to be able to give us wonderful textures and shades of colours on textiles.
Definition: Blues, greens, and purples are considered cool colours. ... Cool colours are purple, blue and green. These colours tend to recede into the picture plain. In other words, these colours seem to look further away to the viewer, then the warm colours (red, yellow and orange). ... Cool colours create a quiet, restful mood. ...
A country of many colours, Canada explodes with vibrance like fireworks on the first of July: sparkling in red and white; glowing with orange, brown and green; surrounded by deep blue and black. ... As a student in this glittering country, I am proud that Canada has many colours to represent its uniqueness and to symbolize the true meaning of the word "Canadian"- trusting, independent and dynamic. Canada has more colours than the rainbow, especially throughout the four seasons of fall, winter, spring and summer. ... The many different colours and the hundreds of miraculous shades are par...
F. Scott Fitzgerald used the imagery of colours in his book The Great Gatsby. The colors are used very frequently as symbols, and the different shades create atmosphere in different scenes of the book. White is a clean and fresh color, but the author shows how it can be tainted as well...
Seurat was really interested in the science behind painting, like the Impressionists use of complementary colours, Seurat developed this idea further using the idea that colour is controlled by fixed laws and later constructed a disc bringing together the hues of the rainbow joined by intermediate colours so he could easily find the complementary of any colour or tone. ... His first great composition "Bathers at Asnieres" 1884 was carefully planned and had elements of Impressionism, including the subject matter of Asnieres a place of recreation and using complementary colours. ... Methodically...
The materials used were a Japanese woodcut in 34 colours in two versions; blue 1-150 and green 151-250. ... "His use of colour is bold, and he has a strong sense of which colours work well together- The main colours used are different tones of green. ... Hundertwasser structured his work to look asymmetrical as the top half used light colours and had dark whales and the bottom half used dark colours with the thick dark stripe at the bottom and had light people. ... The message is being told by the sad faces and the gloomy colours. ... The colours are dull but are relevant and added more f...
Image for example that if we all saw colours differently depending on the genes or such, just like wearing different colour lenses since the moment you were born. You would be forces to learn the colours but you cannot compare how two people see the same real colour. ... We all see colours a little differently, and it can be easily shown in an experiment. ... Different people who live in different parts of the world will certainly see some colours differently. ... What I am talking about is how for example people living in such place as Siberia who will very often see white as their primary su...
Michele de lucchi's 'Lido' sofa combines lacquered wood, metal, and fabric in a toy-like combination of shapes and colours. ... Memphis work is particularly recognisable because of its crazy bright designs in clashing colours. ... This was achieved because of the unusual combination of the materials and colours used. ... All wooden and metal surfaces are painted or laminated in bright colours and a number of different colours will be used for just one piece. ... Although it is mainly coloured in black, it still has the Memphis trademark bright colours to make it stand out fr...
He remarks that the first are colours that we are directly aware of which only exists in sensation and the second are colours of bodies to cause sensation in us. ... Locke's view of the secondary qualities of colour declares that the colours are subjective and dependent. Our senses are reacting to our own experiences and the feelings that we hold are producing us to see colours. The colours are a reaction to our perception, thus, there are no colours with objects themselves. ... Colours have a strong bond with extension. ...
Colours were no longer thought of as dark and light, or as warm and cool. ... As we have seen, by the late nineteenth century much more was known about how colours work together and influence one another. Monet uses primary and complementary colours in Rose Path at Giverny. ... But the interesting point here is how the artist could manipulate a similar range of colours to express a completely different emotion. ... The optimistic response derives from the combination of all these colours. ...