Dating back to the Reformation in England, the Church has always been viewed as an institution known for its corruption. In discussing Chaucers" The Canterbury Tales, an interesting illustration of the Medieval Christian Church is presented. While people demanded more voice in the affairs of the government, the church became corrupt, this corruption also led to a more crooked society. This portrayal of the Medieval Church is also seen in London by Edward Rutherford, tracing its history through the years. In these novels we are presented with individuals in the Church, revealing corrupt practices as well as evidentiary contradictions within their characters.
In The Canterbury Tales, a great emphasis is placed on social status in society. To this descending social order Chaucer coupled a descending sense of morality. In this manner the theme of corruption in the Church is developed. The knight, who is of highest social rank, has nothing to do with the Church. Yet, he abides by his codes of chivalry, thus earning the highest moral rank among those on the pilgrimage. It is ironic that the Prioress, Pardoner and the Monk, those directly involved with the Church are of lower moral integrity than the knight. In accordance, the theme of corruption is introduced firsthand in the prologue.
In London, the theme of corruption is developed gradually throughout the book, intertwining the lives of the characters with the affairs of the Church. Rutherford reveals how each generation is continuously plagued by corruption in different aspects. He demonstrates the struggles between the Church and the Monarchy for power. He also portrays the Church as a moneymaking institution throughout history. This novel follows successive generations of eight families and the struggles they faced throughout history as a result of various downfalls.
In London the Church played a dominant role in the everyday lives of the people.