Comparison of "The Yellow Wallpaper" and "The Darling" In Charlotte Perkins Gilman's, "The Yellow Wallpaper", and Anton Chekhov's, "The Darling", we are introduced to main characters with lives surrounded by control. In Gilman's, "The Yellow Wallpaper", the main character, which remains nameless, is controlled by her husband, John. He tells her what she is and is not allowed to do, where she is to live, and that is she is not permitted to see her own child. In Chekhov's, "The Darling", the main character, Olenka, allows her own opinions and thoughts to be those of her loved ones. When John puts the narrator into the room, she writes in despite of him telling her that she should not. At the end of her first passage, the narrator tells us, "There comes John, and I must put this away - he hates to have me write a word". The narrator was told that writing and any other intellectual activity would exhaust her. The only thing that exhausts her about it is hiding it from them. The narrator tells us, "I did write for a while in spite of them; but it does exhaust me a good deal - having to be so sly about it, or else meet with heavy opposition". Conrad Shumaker suggests that John believes that if someone uses too much imagination then they will not be able to figure out reality. "He fears that because of her imaginative "temperament" she will create the fiction that she is mad and come to accept it despite the evidence - color, weight, appetite - that she is well. Imagination and art are subversive because they threaten to undermine his materialistic universe" In Gilman's "Why I Wrote the Yellow Wallpaper", Gilman tells us that when she was sent home from the rest cure, Dr. Mitchell gave her "solemn advice to "live as domestic a life as far as possible," to "have but two hours intellectual life a day," and "never to touch pen, brush, or pencil again" as long" as she lived. The narrator cannot even be around or raise her baby.