The Minoans are given credit as the first people to use a corset. They wore bodices that laced below the bust, bracing and exposing the breasts (Winston, Website). Priestesses known as snake goddesses, were notorious for large breasts and snakes that coiled around their arm, would symbolize their power (Yalom, 1997, p. 15). Classic Greek society repressed femininity and acclaimed masculinity. Women were encouraged to stay at home and were given only few rights. Only a special upper class of women known as the Hetaerae, were able to participate in social activities of men. The apodemos, a linen article worn by the Hetaerae, was considered to be the first brassiere (Silverman, Website). It, however, usually compressed the breasts instead of accentuating them, reflecting the anti-feminine views of the time. .
With the rise of Christianity, the breasts and the flesh in general were discouraged from being exposed. With rounded bellies gaining popularity, the stomach was considered to be more of an important center of female sexuality (Broby-Johansen, 1968, p. 131). This was modeled after the Virgin Mary whose round belly contained the savior (Yalom, 1997, p. 40). It wasn't until the fourteenth century and the Renaissance that this began to change. Explosive creativity and art occurred despite great famine and disease. As people became more frolicsome, clothing became more revealing. Such clothing including lowering the neckline to show cleavage (Latteire, 1998, p. 31). In the seventeenth century, the breasts once again became the center of female attractiveness over the belly. The breast stood as a symbol of power and wealth at a time when mercantilism was on the rise in Europe (Latteire, 1998, p. 32). The corset, which was previously used to flatten the breasts, was used to push in the stomach and push up the breasts (Winston, Website). Louis XIV of France's personal taste was a factor in this, as he demanded lower necklines for all the court women.