Mary Louise Pratt discusses a relatively foreign concept, the contact zone, in her essay "Arts of the Contact Zone." She defines the contact zone as being the "social spaces where cultures meet, clash, and grapple with each other, often in contexts of highly asymmetrical relations of power, such as colonialism, slavery, or their aftermaths as they are lived out in many parts of the world today." This "contact zone" that Pratt describes helps link together two cultures without the knowledge of doing so. One of the examples that stick out in my head is her story of her son and baseball. For years, Pratt's son would trade baseball cards with other kids his age. He learned how to read, a lot of information about cities and states, and he learned how to apply his math skills by figuring out batting averages. Sam started to eat, breathe, and sleep baseball. Almost a decade later, Sam and his friend Willie can start a conversation with an adult and they can understand everything discussed, even if it does not directly relate to baseball. A little later in the essay, Pratt tells us that the contact zone plays such an important role in autoethnographic text, text in which people undertake to describe themselves in ways that engage with representations other have make of them. For example, she states that all America's stories about American slaves will always have a Euramerican twist on it because that was who the people were. I never thought about many of the points that Pratt discusses. It did not occur to me that history and written documents change with transculturation, the processes whereby members of subordinated or marginal groups select and invent from materials transmitted by a dominant or metropolitan culture.