What was to be born out of Luther's vision for new church music was the hymn. The style of this new breed of religious music was to encourage congregational singing. The text was translated into the vernacular language (German); the single melodic lines were simple and lyrical, and usually based on a limited amount of thematic material due to them being of a strophic form. This means they consist of repeated verses, using the same melody each time, a great aide to the learning of the music by ordinary Protestants. The melody was originally just sung as a single monophonic line; however, they progressed into simple homophonic settings of the tunes, very early examples of Chorales. .
One of the most famous Lutheran Chorales "Ein feste Burg" influenced future composers such as Bach with the numerous Chorales he wrote. However I feel we can push it even further than this. Hymns and anthems are used throughout history to represent brotherhood, not least in the aftermath of the French revolution and the subsequent colonisation of parts of Europe, including Germany. Beethoven, uses many rousing hymn and anthem choruses in Fidelio, which has political connotations of freedom and regime change, tying in with the political climate of the time. These can be closely compared to Lutheran hymns and anthems, which were brought into existence to emphasise the brotherhood and musical togetherness under the new regime of the Protestant church. .
In England, much of the same kind of musical transformations were occurring in the C16th, however under a much more turbulent environment, meaning it took a long time for musical practise to become standardised. This is due mainly to the ever changing monarchy and which denomination the current ruler was part of. This resulted in many motets and other service music to be written in both Latin and English by composers such as Thomas Tallis, who despite being Catholic wrote a large amount of Anglican Church music, such as the Dorian service, composed whilst under Edward.