Thomas Lanier Williams, known as Tennessee Williams, was a man of contradictions and clashing passions, so were his short fictions and plays. "A Street Car Named Desire" was one of his most successful and most performed plays. The title of the play has relations with the specific location; New Orleans is actually served by streetcars named "Desire" and "Cemetery". The action might be summed up as Blanche's (the main character of the play) emotional journey from desire to madness. The play is consisted of eleven scenes and scene by scene Blanche is approaching her doom.
The play can be summarized as Blanche Du Bois visits her sister, cannot get on well with her sister Stella's husband Stanley, then falls in love with Stanley's best friend Mitch, tells about her past but all of the things she says are full of controversies, Stanley learns the truth, punishes her, and finally Blanche is taken away from them by the doctor. So focusing on the last parts of the play, when Blanche is leaving the house is fundamental. Because it symbolizes Blanche's fall, precipitated in part by her desperate flight from reality towards an illusionary refuge. And this event reminds that humans are emotional beings. Emotions are affecting every aspect of our lives, like in this play; they are invading every scene. All the characters of the play felt pride, guilt, love and hate, shame and sorrow. All their relationships will never be the same again. All these emotions reach their climax point as Blanche is leaving Kowalski family.
The last scene starts while Stanley was winning the poker game. Stanley has been losing poker games in the previous scenes but at that time he was winning. The game was the symbol of his authority in the house, he has been losing since Blanche came. Long before, Blanche and Stanley had begun to see each other as a threat. As Londre explained " This conflict between Blanche and Stanley is an externalization of the conflict that goes on within Blanche between illusion and reality"(60).
Tennesee Williams' Use Of Stage Effects And How They Change A Streetcar Named Desire Tennessee Williams' A Streetcar Named Desire is mastery of the use of lighting, setting, and sound to add to emotion and meaning to a play. ... It seems that the minor details of music, sound effects, lighting, and setting were actually some of the most important points of A Streetcar Named Desire. ...
In A Streetcar Named Desire the part that Tennessee Williams' life plays in the text is fairly large. ... His father withdrew him from university to work at the International Shoe Company, where he met Stanley Kowalski, who Tennessee Williams' has plastered all over A Streetcar Named Desire. ... Quoting A Streetcar Named Desire: The Playwright (http://hipp.gator.net/scarplaywright.html): 'He was noted for bringing to his audiences a slice of his own life and the feel of the southern culture. ... A personal interest/experience in the themes/issues and characters would not have...
The purest language of plays" - just by studying 'A streetcar named Desire" the reader can identity the numerous symbols Williams' uses to add depth to the plot as well as unveil his characters' personalities, strengths and weaknesses. ... Light, animal characteristics, music and the streetcars Desire and Cemeteries are symbols that Kazan puts emphasis on in the film just as Williams does in the play to lead up to the climax of Blanche's disintegration into insanity and Stanley's brutal triumph over her. ... "They told me to take a streetcar named Desire and then tr...
Tennessee Williams A Streetcar Named Desire- Tennesse Williams is known as one of the greatest American playwrights. ... Among his most notable and successful plays were "The Glass Menagerie-, which he refers to as "memory play-, "A Streetcar Named Desire-, "The Rose Tatoo- and "Cat on a Hot Tin Roof- for which he was appreciated winning the Pulitzer Prize. ... "Streetcar Named Desire- which was firstly entitled "The Poker Night- emerged right after the theatrical success of "The Glass Menagerie- when the authour learned to play poker game. ... The moment Blanche appea...
That play was A Streetcar Named Desire. ... It is no surprise that Williams again turned to Mielziner to design A Streetcar Named Desire. ... Thanks in large part to A Streetcar Named Desire, the duo of Mielziner and Williams helped to change theatre. ... At the time of A Streetcar Named Desire, "it was more like an accusation" (Murphy 1). ... When it came to A Streetcar Named Desire, Kazan's collaboration did not come cheap. ...
" A Streetcar Named Desire" by Tennessee Williams Bruce, Smith. ... "It's a French name. ... She tells him the origins of her name, which she treasures. ... "A Streetcar Named Desire" did not grab my attention at all. ... "A Streetcar Named Desire" was written in 1933, and many things have changed since then. ...
Viewing of A Streetcar Named Desire Although the basic story line is the same in both the book and the live play of A streetcar Named Desire, some things were different. ... For the most part, reading A Streetcar Named Desire was very similar to the live performance. ...
In the play "A Streetcar Named Desire" by Tennessee Williams, there are several prevalent themes. ... This is allegorically represented through Blanche DuBois's riding of the streetcars named Desire and Cemeteries. ... In "A Streetcar Named Desire", Tennessee Williams states that one can not shield himself from the harshness of reality by creating a fantasy alternative. ... This desire for physical relationships brought her to a more troubled state of reality. ... Tennessee Williams uses his play "A Streetcar Named Desire" to demonstrate the problem one faces with creating a fantasy...
Tennessee Williams uses symbols to help communicate his ideas in A Streetcar Named Desire. ... Clothing is a recurring symbol in A Streetcar Named Desire. ... Death, as told by Blanche, is the opposite of Desire, and Blanche wishes to be desired. ... The streetcar named Desire leads to a streetcar named Cemeteries, and both of the most important characters suffer death in one way of another. Without this desire, this play would be completely different and have less meaning. ...