The second possible purpose--definitely an outcome--is the creation of a learned historical discourse. I will leave out examples; it suffices to say that The Prince encompasses many centuries of human history, many deeply researched examples of politico-military events, and so on. True, they serve enforce his ideas on "virtuous government," but they also seve the modern historian in his search for original sources.
A third possible purpose of The Prince might be to outline the ideal government or, if not the ideal, the most virtuous or the best possible. It is in this purpose, the same goal pursued by countless political thinkers in history, that we extract much of what the current age considers Machiavellian. The lord most would consider ruthless and cold, but whom Machiavelli names a virtuoso, is but one (probably Cesare Borgia, son of Sixtus IV) character in the book. The author's supposedly cruel way of equating bad with good is traditionally what has gotten him into hot water. The fact is, however, that Machiavelli never truly addresses the issues of bad and good, right and wrong, these absolute judgments most people would, I think, claim him to make. Machiavelli, in laying out the "best" government, does so from a completely political and pragmatic point of view, by what works, what is possible, and, really, what for his prince results in the most power and security. The auth!.
or carries out this investigation using two parameters in particular, the Italian virtu and fortuna. They can be translated in many ways (Robert M. Adams has done it very nicley so I shall not repeat them here) which is part of what gives the book its depth. In general, though, the spirit Machiavelli attaches to these two crucial words resembles the following. Virtu embodies a paragon or paradigm; the virtuous man takes action, he anticipates and exhibits resolve, shrewdness and aptitude. Above all, he commits himself to politically sound, whole-hearted efforts.