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A Feminist Approach to Wuthering Heights

 

            
             Thesis Statement: A feministic approach on Wuthering Heights which displays women's rebellion against patriarchal society by showing Catherine as a rebel against her father and her husband and by creating Isabel and Catherine as two contradictory characters.
             I. Introduction.
             A. Women's position during Victorian Age and Bronte sisters.
             B. Emily Bronte's life conditions and their effects on Wuthering Heights.
             C. Short summary and more information about Wuthering Heights.
             II. Characteristics of Feminism in Wuthering Heights.
             A. Catherine as a rebel against her father and her husband.
             B. Catherine, Isabella and the contradiction between the two characters.
             C. Conclusion.
             III. Works Cited.
             "The book is unique. There was nothing like it before, there has been nothing like it since, there will be nothing like it again.".
             George Sampson, 1941, The Concise Cambridge History of English Literature.
             I. INTRODUCTION.
             The main aim of this research is to trace 19th century British writer Emily Bronte's feminist notions in her novel Wuthering Heights. This research paper investigates how Catherine stands against Victorian male-dominant society, and how Isabel reflects traditional gender role for women. Wuthering Heights is a feminist novel which displays women's rebellion against patriarchal society by showing Catherine as a rebel against her father and her husband and by creating Isabel and Catherine as two contradictory characters. What makes this topic so interesting is both author's courage to write such a work in Victorian era and her great ability to create such remarkable characters which show different sides of the same issue.
             A. Women's position during Victorian Age and Bronte sisters.
             Women writers and female characters had been part of novel-writing since the time of Aphra Behn and Delarivier Manley, and it is a commonplace that women were the main readers of the genre in the eighteenth century. After Sir Walter Scott made the novel popular worldwide, it was, for two decades, seen largely as a man's genre.


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