In Perfume: The Story of a Murderer, the use of third person narrative is there to scare and surprise the reader and must be first researched and explored as this is the reason behind the reader's understand and knowledge of both the story and the protagonist, which in this case is a psychopath. The narrator's reliability and validity is also examined to figure out whether or not his version of storytelling is true – for Perfume: The Story of a Murderer, which determines how the reader will see Grenouille's moves and mental stability throughout the story. The weaknesses of this perspective and the book's course of time also influences how the reader is affected by Grenouille, as they may be misinformed.
This extended essay question is mostly significant because the narrator is crucial in creating the reader's emotions about the protagonist that is shown throughout the text itself; it is important to know that the effects and limits of this type of perspective is used in order to love and cherish literature more and how it has been formed to make up Grenouille and produce the wanted reaction and to Grenouille and the reader them self, therefore allowing Suskind to share his observation of the social and immoral uselessness society that was beginning to grow predominately in the early eighteenth century and how it had changed the entire young French peoples generation and form of living.
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Searching up the different kinds of perspectives and narrative it is quite clear that Suskind uses third person narrative perspective to get his message across and to shock the reader most effectively in this manner. In Perfume: The Story of a Murderer, the intense and sincere expression of Grenouille's very descriptive and straightforward thoughts of narration moves and makes the reader feel like they are part of the novel itself. This type of narration, making the reader feel a part of the novel, makes each time with the protagonist even more surprising and personal, additionally making the real life of the narrated seem more graphic and emotional, making them feel as if they were a figurative character of the scenes played throughout the novel.