Mosca and Bosola

             Two plays varying greatly in direction and style produce two characters deserving of comparison because of their fantastic characters. The plays are Jonson's Volpone and Webster's The Duchess of Malfi. Not necessarily the principal characters in the plays, the servants play significant parts in developing the course of action in both play worlds. The servants are Mosca in Volpone and Bosola in The Duchess of Malfi. In fact, the two more than prove to be the greater catalysts for the plays in which they partake. Their characters are quite different in nature, and their relationships with the characters surrounding them are dissimilar. They run parallel in that both are victims of their surroundings. What makes this notion understandable are the characters" relationships and language. The separating factor lies in their true natures, which decide the opposite directions that they go at the end. .
             Mosca and Bosola could not be more different in terms of character. Mosca constantly disguises himself. He continually and seemingly loyally follows Volpone's orders and completes them above expectations. Very much like his name, Mosca begins the play as a parasite, leeching about Volpone, doing his bidding without scruples. His wit is quick, as are his actions. Mosca executes with delight the tasks that Volpone gives him. Confident of his abilities, Mosca never fails to do whatever it takes to deceive others. .
             Mosca falls victim to his surroundings in part due to his ambiguous relationship with Volpone. Mosca serves Volpone. This is not arguable. However, the structure of their relationship remains blurred. The normal master-servant relationship does not take place with them. They are respectful of each other and constantly exchange friendly banter. Although Mosca addresses Volpone with a "sir"when appropriate, they engage in dialogue in which Volpone often appreciates Mosca's view.