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Hamlet - A Coming of Age Tale

 

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             Hamlet's innocence and naivety are revealed when the audience sees his reaction to his mother's remarriage. When he returns from school, he's slapped with more unpleasant news: no one is mourning his father's passing, but instead they are celebrating Gertrude and Claudisu's wedding. Hamlet lashes out at his mother, citing his black clothes, tears, downcast spirits and face as indicators of his overwhelming feelings of grief, saying, "Together with all forms, moods, shapes of grief, That can denote me truly" (1.2.85-86). His emotions seem more true to him than do those of the more elders around him who are trying to conform to social expectations. His innocent nature at this point in the play has lead him to believe--despite his mother's betrayal to her husband, and Claudius' betrayal to his brother--that both of them loved King Hamlet just as much as he did, and he is shocked when they are not as moved. According to Fish, abandonment or betrayal by a trusted adult is often one of the early challenges presented in a coming of age story, and it often creates a setback, actually temporarily preventing a young person from progressing. Hamlet considers suicide to solve his problems, instead of moving forward as an adult. The only thing holding Hamlet back from taking his own life is the fact that God has "fixed His canon 'gainst self-slaughter" (1.2.135-136). After his beloved father's death, Hamlet's immaturity is makes it harder to cope with his grief and to understand other people's behavior. .
             Although the audience doesn't know the full story between Hamlet and Ophelia, it is obvious that falling in love and then causing Ophelia's death furthered Hamlet's transition from innocence into maturity. Because "falling in love" is another major piece of the coming of age archetype (Stahl), anything that happens with Ophelia will significantly alter Hamlet.


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