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In the internal side, she represents the collection - the most important responsibility - and she is the leading advocate for the permanent collection in the context of the museum's mission. She has a responsibility to mentor the staff in the appreciation of works of art, her care, the importance of providing public access, and the museum's overall mission. As supervisor of junior staff, interns, and curatorial fellows, for example, she plays a pivotal role in providing leadership and professional encouragement, but this spirit of collaboration must extend to the museum staff as a whole.
The essay focuses on the two main catalogues: Decorative art and Fine art. The following paragraphs will clarify their definitions, distinctions between them. .
Mentioned about the types of object, it is important for her to understand the objects well and profoundly which she plans to display. Frankly to say, it is extremely hard to use a similar way or model to deal with all different types of artworks even there is one kind of way to consider, the impact would be very limited. It is sensible to treat each form or type differently based on the special and unique characters. .
What is decorative art? According to Art Encyclopedia, most of decorative arts such as basket-weaving, cabinet-making, ceramics, tapestry are also classified as crafts. Also, decorative art is overlapped with the larger category of applied art. With a rather huge range of artistic disciplines concerned with the design and ornamentation of items, decorative arts are usually functional, that do not necessarily have any intrinsic aesthetic qualities. .
The earliest type of decorative art was ancient pottery, notably the Jomon style Japanese ceramics pioneered from about 14,500 BCE. It was also widely produced from about 5,000 BCE by a number of ancient Mediterranean civilizations, before reaching its apogee in the Geometric Style, Oriental Style, Black-Figure and Red-Figure style of Ancient Greek pottery.