As Aristotle once said: "Learning is not child's play; we cannot learn without pain," even the most subjective exercise like learning is correlated with its required dedication. Oftentimes, power is considered one-dimensional and one-directional with an absolute superiority. However, since the nature incorporates a conjunction between fire and heat, the sun and light, and witnesses a contrast between day and night, summer and winter, it implies that a certain power is inlaid. This power, acting as an inner connection, is responsible for creating a relationship and facilitating the interaction between substances. The critical role of power relating to its dynamics has long been a puzzle that poets take time to delve into. Poets and audience seek the examination of power within a literary content to better predict its impact in real life. The transformative nature of power drives the formation of a relationship while the manipulation of power paves a path, both leading to the changes that power will bring about. .
The way two existing substances conceive power establishes the conjoint or restricted interaction between the two. Although things were born equally on the day earth exploded, over billions of year's evolution, the nature appears with a regulated order. Power is not discernable by any external sense; we cannot see power, nor hear it, nor taste it, nor touch it. But it helps to explain the nature, and is employed in a world of reasoning. Amy Lowell senses the presence of power through colors: "Saffron, rubies, the yellows of beryls, and the indigo-blue of quartz; flights of rose, layers of chrysoprase, points of orange, spirals of vermilion" (20-23). Having absorbed energy from the sun, flowers are able to reflect their inherent power by displaying their uniqueness. In "the Captured Goddess", this power is considered as a necessity to the entire nature, differentiating the lively, colorful nature from an inanimate, dark human society.