1. The Stanislavski System
The actor is not simply there to tell a story, the actor should embody the story. ... It is about the deconstruction and reconstruction of movement to create the ultimate form. ... "The great actor should be full of feeling. ... Yet, it is not a theory; it is a system that demands hard work and daily training to overcome physical or mental limitations, with the ultimate goal of a refined actor. ... An actor starts by using the "magic if" to create a circumstantial truth for the actor as well as the character. ...
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