Earnest of the title is an adjective describing seriousness. ... (Act 1 p6) Algernon asks, "Is marriage so demoralising as that?" ... (Act 1 p8) "If I ever get married I"ll certainly try to forget the fact."... (Act 1 p8) Algernon also proclaims that "Divorces are made in heaven."... (Act 3 line 436), which says much of Gwendolen's true character. ...
Yet this could be viewed as unjustified as both texts present them as arguably formidable; Gertrude in Hamlet may be viewed critically by audiences as she seems to act without grief when referring to her late husband's death as "common"" in Act One, Scene Two. ... The fact that the characters are almost complete opposites and that Gertrude is arguably self cantered could be why Hamlet has to explain, in Act Three Scene Four, why he is so infuriated with her and Claudius. ... The theme of incestuous love is a negative force present in both "Hamlet" and "Sons & Lovers"; not just between Ge...
I act a fool most times when I am around my true friends because I know they won't ever judge me for it. ... You only use it when you are serious about meaning it, and it is not a title given loosely, you have to earn it. ... I think you earn the title FAMO once you have proved that you can be leaned on like a third leg when you really need it. ...
Plot Overview IN THE STREETS OF VERONA another brawl breaks out between the servants of the feuding noble families of Capulet and Montague. Benvolio, a Montague, tries to stop the fighting, but is himself embroiled when the rash Capulet, Tybalt, arrives on the scene. After citizens outraged by the constant violence beat back the warring factions, Prince Escalus, the ruler of Verona, attempts to prevent any further conflicts between the families by decreeing death for any individual who disturbs the peace in the future. Romeo, the son of Montague, runs into his cousin Benvolio, who had earlie...
However in Act 1, Lear decided to divide his kingdom into three parts for each of his daughters. ... In Act 1, scene2, show the parallel structure of the subplot and the main plot. ... In Act 3 Scene 4, when Kent asks Lear to enter the hovel, Lear replies that he can not feel the storm, his senses is block out by his mind: "the tempest in my mind doth from my senses take all feeling else save what beats there-filial ingratitude"(3.4.12-14). ...
In the 60's and 70's music was a force that actually affected the way many people thought and acted. ... Late artist Harry Chapin summed up the novelty of protest songs beautifully in his song, "Last of the Protest Singers," He's the last of the protest singers, selling truth and commitment, He don't get much work these days, he's billed as a novelty act, And he stands there with his thumb out, hitching a ride towards the rainbow, that only he sees shining there. ...
Throughout this early part of Act I Scene I, the two servants" coarse humour in conversation, and their vulgar and crude opinions on what they see as love, bring an instant impression at the start of the play. ... Romeo talks of such things as "This day's black fate" and the woe which comes with it (Act III Scene I). ...
