1. Film Noir Styles in Martin Scorsese's Taxi Driver
(Kroll, 143) As a response, they turned to realistic, location settings. ... They do nothing to build character, further plot, or even (after a while) establish setting. If anything, they serve to establish only the realism of the setting, without providing information relevant to understanding the story of the film. They also add to our comprehension of the film's style. ... In early noir, location shooting carried a sub textual message of "This is real. ...
- Word Count: 1980
- Approx Pages: 8
- Has Bibliography
- Grade Level: Undergraduate