Realism is what makes Schindler's list a valid historical resource. ... This helps with the realism factor and keeps the viewing range from being narrow. ... Hand-held camera's we used to enhance the realism factor and to highlight other themes. ...
Though this film does not need it, without these specific scenes the movie would not have a foundation and any sense of realism to it. ... So fable or not, Benigni re-illustrates the Holocaust with a comedic flow that still depicts realism in it as well. ... Unlike Life is Beautiful, this film in particular is to possibly aware, educate and bring to the table the realism and terror that the Holocaust was. ... If one is to relate history and realism to a film, half the time they will be disappointed. ...
The Thin Blue Line (1988) has stirred up controversy regarding its fixture in a particular genre. Some critics have argued that this film possesses qualities which attribute it to being a docudrama , while others such as Errol Morris, the director of the film, insist that it is a documentary in its ...
After years of dominating the industry through producing "white telephone " films, film critics began to harshly criticize its attempts to imitate American film and suggested that there be more realism coming from Italians. ... Britain's cinema took a sudden upswing with Technicolor productions, which were filled with dramatic narratives that were resonant of the French poetic realism. ...
Spike Lee has always been one of the many directors who in always wanted to keep his or her audience socially aware. Spike Lee is an American filmmaker, producer, writer, and actor. He is most known for his films such as: Malcolm X, She's Gotta Have It, Do the Right Thing and School Daze which made Lee famous, making him one of the most, if not the most, important Black filmmakers of today. Spike Lee was born Shelton Jackson Lee on March 20, 1957, in Atlanta, Georgia. At a very young age, he moved from Georgia to Brooklyn, New York. ...
It is Brecht's influence that explains the relatively bare and unnaturalistic stage design, since Brecht insisted on keeping props and sets to a bare minimum so that the spectator is not lulled into a false sense of realism. ...
