The Impressionists didn't try and capture realism in their paintings. ... Post Impressionists and Fauves both used rapid vigorous brush strokes and bright colors. The post impressionists came about in the late 1800s and early 1900s. They were an outcome of the Impressionists. The work of the post impressionists was very diversified. ...
These stages are categorized into Realism, Impressionism, Post-Impressionism, Modernism, Cubism, Futurism, Constructivism, and Surrealism. ... Instead of painting an ideal of beauty that earlier artists had defined, the impressionists tried to depict what they saw at a given moment, capturing a fresh, original vision that was hard for some to accept as beautiful. ... Impressionist painters used broken brushstrokes of bright, often unmixed colors. ... Where impressionist painters concentrated on the depiction of a subject's immediate appearance, post-impressionists focused on emotional...
Content is not related to the factors outside a painting. ... It .is closely related to that of the Impressionists and Post Impressionists. ... They did not introduce radically new concepts into 20th C painting. Rather they continued to its logical conclusion, the concepts of the Post Impressionists. ... In Germany there seemed to be less emphasis on formal problems of painting and a greater concern with the subjective qualities of painting. ...
They were given the name Impressionists after Monet's painting Impression:Sunrise. ... The Impressionists beliefs were to paint from nature, "plein-air- painting, to paint the reflected light, not grey or black shadows but in the colours of the object/s causing those shadows. ... In the casualty of the Impressionist group the techniques held to be characteristic of them were not uniformly practised by all Impressionists, unlike the formalism of academic training. ... Post Impressionism followed Impressionism and Neo-Impressionism and started around 1880. ... The artists who formed the Po...
Kandinsky's journey of artistic discoveries began when he first viewed an exhibit of paintings by Monet and was particularly inspired by the famous impressionist art works "Haystacks"5 which seemed to distinguish the powerful sense of color from the form itself - "That it was a haystack the catalog informed me. ... I dully felt that the object of the painting was missing. ... Painting took on a fairy-tale power and splendor." ... Kazimir Malevich, had a very rational approach to painting. ... Although Malevich's artwork seemed like an achievement of a mechanized, post industrial s...
