It is mainly about Rachel playing piano while Deckard is sleeping. ... Then comes a close up of Rachel's hand, she is picking an old photo from the piano. ... Rachel looks down at the photo and puts it back to the piano. ... Deckard sits down beside Rachel and there is a close-up of the notes. This is one mistakes of the film because the notes do not fit to what Rachel plays. ...
The texture of the ending of this song seemed a little grimy at times when the trumpet would chime in a few notes over the saxophone, almost drowning it out. ... In the background of the trombonists and trumpeters you could hear the piano playing ever so gently and not so often. ... The piano solo, on the other hand, consisted of a few short runs and some dissonant notes, but still triumphant. The climbing trumpets gave way to the short, still dissonant finishing notes of the piano and the intense crash of the high hat. ... This song also was not very dynamic and the trombone solo was of the ...
The first half's light-hearted comedy is filled with the up-beat sound of Big Band, with trumpets, saxophones, horns, percussion and piano. The second half of the movie, the romantic drama genre, is represented by softer-sounding instruments such as the flute, strings and piano. ... The piano and guitar were used faintly in the beginning of the story as Paul and Holly meet for the first time. ... Holly's cat frantically jumped onto the counter with the first sight of Paul, which was accompanied with a simultaneous slur of the piano. ... It played from the intense moments to the s...
This type of jazz used a lot of instrumentation: Trumpet; clarinet; trombone, sax, piano; guitar (usually), bass, drums. ... The piano, drums, bass and guitar are designated as a rhythm section. ... It was published in 1899 and cut as a piano roll in 1916 with the composer allegedly at the piano. ... Then on the last chorus Armstrong quickly rises to a high b-flat and holds the note for four whole bars. When the strain of the notes length and height is at its maximum, he releases it, lurching downward again and again. ...
The group consisted of Ryan Sanders (alto saxophone), Marty Dumaual (piano), and Ramin Abrams (Bass). ... Their song consisted a few extremely long saxophone solos, with one piano solo in the middle. ... There was also a saxophone solo, piano solo, guitar solo, and a trumpet solo. ... The piece consisted of a tenor saxophone solo, piano solo, alto saxophone solo, and back to a piano solo. I was really impressed by the range of the alto saxophone player because he could play really high notes. ...
This device enabled the player, in all simplicity, to produce all notes from the lowest to the highest with the same strength, fullness, and purity, the majority of which were hitherto only obtainable by stopping the hand into the bell, which produced a dull and unclear sound. ... Frequently the tuba or string bass plays on the first and third beats of each measure, with the banjo or piano playing chords on beats two and four. ...
Early jazz could be identified by the introduction of the mournful "blue note". ... Most swing style groups had at least 10 musicians and featured at lest three or four saxophones, tow or three trumpets, tow or three trombones, piano, guitar, bass violin, and drums. ...
Chicago, Illinois Chicago was having issues with crime and violence in the 1920's and 1930's. The growth of the population weakened the ability of Chicago's governmental system to operate effectively. Crime in the city was growing because kids were exposed to it at young ages so it was influenced on...
