1. Woolf
From the outset, subjective camera techniques inscribe the viewer as complicitious company with a shared horizon of understanding so that eventually the audience has become so complicitous that words are superfluous - Orlando's knowing gaze in the audience's direction suffices to punctuate key moments of the diegesis with shared irony. ... Potter claimed that these alterations were necessary "to strengthen some of the narrative muscle for cinematic purposes- to supply little bits of motivation for the story's premise, to make it psychologically convincing on film." ... Compl...
- Word Count: 1793
- Approx Pages: 7
- Grade Level: Undergraduate