The Cambridge Guide to World Theater as well as Kenneth Macgowan, author of Golden Ages of the Theater credits the introduction of the mask to Thespis of Icaria, winner of the first tragedy contest (Cambridge Guide 991)(Macgowan 11). ... In the early Aristotelian thinking, "Age was understood as both a drying and a chilling process", and thus old men were considered cold and dry (Wiles 152). ... The old women were distinguished by evidence of their age, such as wrinkles and missing teeth. ...
Whoever has become thoughtful and melancholy through his own mishaps or those of others; whoever has borne about with him the clouded brow of reflection, and thought himself "too much i' th' sun;" whoever has seen the golden lamp of day dimmed by envious mists rising in his own breast, and could find in the world before him only a dull blank with nothing left remarkable in it; whoever has known "the pangs of despised love, the insolence of office, or the spurns which patient merit of the unworthy takes;" he who has felt his mind sink within him, and sadness cling to his heart like a ...
Macbeth is actuated in his conduct mainly by an inordinate desire for worldly honors; his delight lies primarily in buying golden opinions from all sorts of people. ... The individual who once prized mutable goods in the form of respect and admiration from those about him, now discovers that even such evanescent satisfactions are denied him: And that which should accompany old age, As honor, love, obedience, troops of friends, I must not look to have; but, in their stead, Curses, not loud but deep, mouth-honour, breath, Which the poor heart would fain deny, and dare not. ...
A Look at Two Characters of Greek Tragedy and Their Reactions to Adversity Throughout many Greek tragedies, plays, and poems there are many characters that are faced with adversity when tragedy occurs. With these many instances a multitude of emotional reactions aris...