1. Ethnic Identity in Postmodern Art
It is known that he has a passion for historical theatre, he created small versions of theatres and plays in boxes and puts situations on stage that belong to Senegal and typically uses strong symbolism, found objects and geometric motifs which is an integral part African aesthetics and the rhythm that forms it. The work Coronation of Musaa Moolo Casamace, Southern Senegal consists of beadwork, found objects like cans shaped to represent figues and an overall stage-like composition, it speaks mainly of cultural rituals in Casamance and hope for the future (Magnin, 1996: 89). ... Her work began...
- Word Count: 3101
- Approx Pages: 12
- Has Bibliography
- Grade Level: Undergraduate