Johnson locates a more ecologically minded Thoreau only when the naturalist can move beyond Emersonian metaphor in his later work, and therefore initiate (along with Susan Fennimore Cooper) an empirical "counteraesthetics" to the dominant paradigm in American environmental aesthetics codified in Emerson's line from his 1836 Nature: "The world is emblematic. ...
Mary Shelley's Frankenstein explores many aspects of the conscious and unconscious mind. Shelley uses light and dark throughout the novel to symbolize the duality of the mind, a representation of Victor's conscious and unconscious mind. Victor's conscious behavior is clouded by his unconscious repressed desires, as he struggles with the Oedipus complex, defined as subconscious feelings in children of intense competition and even hatred toward the parent of the same sex, and feelings of romantic love toward the parent of the opposite sex, if these conflicting feelings are not s...
