1. Relation of religion in the play-Hamlet
In that case, Claudius's later whispered plottings with Laertes, Ophelia, and Rosencrantz and Guildenstern are further examples of "poison in the ear." ... Even the most cursory review of the dramatic movement and literary structure of the play, however, demolishes all such interpretations. ... The last scene's condemnation of revenge is made all the more profound by the ironic way in which vengeful characters fall victim to their own devices. ... One of Shakespeare's most characteristic dramatic devices is the multiplication of character types.[12] In Hamlet, he includes a nu...
- Word Count: 1931
- Approx Pages: 8
- Grade Level: High School