Romeo also has a fascination with eyes as he keeps talking about Juliet's eyes. ... This tells the audience that Juliet is embarrassed, as she knows that Romeo was listening to her. ... Juliet seems to take control of everything. ... Juliet becomes concerned about Romeo and says. ... She is also arranging everything. ...
In Baz Luhrman's production of Romeo and Juliet many filming style techniques have been used. ... Everything in the prologue is done like a report. ... I know many people changed their minds; from that it was a boring play to an exciting and modern day film. ... I think that the non - diagetic music was used well in the film; it gave all the moods that were needed. ... Franco Zefferelli's production of Romeo and Juliet is both realistic and traditional. ...
Baz learnt everything he knows from his own childhood experiences and from training at the prestigious National Institute of Dramatic Arts. ... These being Strictly Ballroom, Romeo and Juliet and Moulin Rouge. ... This factor is highly relevant in Moulin Rouge and Romeo and Juliet. ... This can also be applied to Romeo and Juliet in more that one way. Everybody knows the story of Romeo and Juliet, "two star crossed lovers- and therefore all know how the story develops and comes to a tragic end. ...
The sky was dark. I was sure that a rain's about to come. I had no choice but to settle inside my room. I was watching the hands of the clock move as time passed by. Raindrops were loudly pouring outside. The day was awfully boring. I suddenly felt the urge to write a story. There's a music video I'...
One story I remember the most was one she told about when he passed away; she thought they would grow old together, and a part of her soul died along with him. ... Browning's "How Do I Love Thee" has a Romeo and Juliet feel to it. ... She says, "I love thee to the level of everyday's most quiet need, by sun and candle-light.... He tells her everything will be okay and to wait for him but in her heart, she is worried he will not return. ... He writes, So let us melt, and make no noise, No tear –floods, nor sigh-tempests move; 'Twere profanation of our joys...
