1. Montage styles of Sergei Eisenstein and Dziga Vertov
In short, Vertov has created Kino-eye to observe movements in the lives of Russians which then was effectively made into montages to be inscribed and defined within the context of another. ... Vertov's creation of story, however, was neither fabrication nor route of predetermined formulation that had strong subjectivity of control. The story is, rather, candid and presented in the way the real Russian daily lives were. The story plot also unfolds in chronological manner from morning to night and weekdays to weekends to give reality sensation. ... In metaphoric analogy, Eisenstein would be...
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- Grade Level: Graduate