1. French Anarchism and Italian Futurism: 1890-1920
Yet this overlap is far from a holistic conflation of the two movements, so radically different were their aims. ... According to McConachie, "spectators do not wait to deploy empathy, but engage it unconsciously right from the start of every performance"7. In this way, empathy bridges the subject/object gap between the stage and the audience, rendering it difficult to categorise, (by nature of the empathetic cognitive links between spectator and performer) as a separate artistic realm, detached from life. ... From this, McConachie ultimately makes the overarching contention that "the differe...
- Word Count: 5030
- Approx Pages: 20
- Has Bibliography
- Grade Level: Graduate