In order to grasp the underlying concept of feminist theatre, its successes as a genre and the challenges it faces in contrast with mainstream theatrical forms, it is essential to begin with a definition of terms. What is feminist theatre? Is it concerned with women as performers, women dramatists or playwrights? Consider this striking description: "Generally speaking, feminists involved in the creation or analysis of theatre usually wish to enact, embody or inspire some kind of political, personal or cultural change via the public platform of theatre"[Sim15]. This implies that femin...

• Word Count: 3095
• Approx Pages: 12
• Has Bibliography
• Grade Level: Undergraduate

I have always enjoyed the history of New York City; in particular that history which surrounds the Five Points in lower Manhattan. In this paper I will examine the class structure of the Five Points beginning with geographic and architectural significances that assisted in the class structuring; then I will examine the archeological evidence which further sheds light on the lives of those who resided in what became known as America's first slum. The Five Points, called so because of the five corners of streets that merged together within the ward; Mulberry Street, Anthony (now Worth Stre...

• Word Count: 3406
• Approx Pages: 14
• Has Bibliography
• Grade Level: Undergraduate

1. INTRODUCTION In 1988, the now-bestselling author and former lawyer John Grisham had his first book published. Entitled "A Time to Kill", the novel presented the story of a small Mississippi town that becomes the scene of a spectacular trial: After two white men rape his daughter, her black father named Carl Lee Hailey shoots them. He then hires the white street lawyer Jake Brigance as his attorney, who also defended his brother in a different case. A wave of racial tension hits the town, with its citizens taking sides, the black community organizing marches and the Ku-Klux-Klan ...

• Word Count: 4938
• Approx Pages: 20
• Has Bibliography
• Grade Level: Undergraduate

Although Asians and Asian Americans have been present on American television screens for decades, [1] few television series have featured Asian or Asian Americans in starring roles. Kung Fu (Warner Bros, ABC, 1972-1975), starring David Carradine as Kwai-Chang Caine, featured a white American actor as a bi-racial Shaolin priest in the Old West. Originally conceived as a vehicle for martial arts adept Bruce Lee, the series went to an actor with little physical ability, but with a knack for embodying a Hippie pacifism along with a reluctant, but devastating aggression On the lam from the la...

• Word Count: 9463
• Approx Pages: 38
• Has Bibliography
• Grade Level: Undergraduate