Instead of conventional chapters and sections, The Bluest Eye is broken up into seasons, fall, winter, spring, and summer. ... The excerpts from "Dick and Jane" that head each "chapter" are typeset without any spaces or punctuation marks. ... Names play an important part in The Bluest Eye because they are often symbolic of conditions in society or in the context of the story. ...
At the very beginning of the chapter entitled 'conclusion', Jane delivers what is perhaps the most famous line of the whole novel. ... At the beginning of chapter eleven, after Jane's departure from Lowood, she tells the reader "I sit in my cloak. ... "A new chapter in a novel is something like a new scene in a play," she tells the reader. ... Jane, then, herself presents an alternative viewpoint: an understanding of the other characters as people in their own right, and thus encourages evaluation on the part of the reader. ... Unlike Jane, they only exist as a part of the sto...
In addition, the narrative was also divided into twelve chapters, which lucidly relate Douglass' experiences as a slave through the beginnings of his career as an abolitionist. ... By far the larger part of the slaves know as little of their age as horses know theirs, and it is the wish of most masters within my knowledge to keep their slaves thus ignorant. ... In fact, the Autobiography in general, and the American one in specific, usually describes this self making and Douglass' Narrative is part of this tradition. ... For this reason our concerned in this part is to study how out ...
An interesting and distinctive point of the structure is the development of chapter length from short to long as the book progresses. ... The clever language used is a vital part of the overall success of the novel and Mark Haddon has really fine tuned this aspect to the advantage of the books creative appeal and credibility. ...
Reference is one form of cohesion in which the information necessary to interpret a term or phrase is found in another part of the discourse. ... Davis Carroll, in the chapter, mentioned that our memory for discourse exist on three different levels; surface representation; propositional representation; and situational model. ...
Chapter nineteen includes Forster's attempt to firmly unite the Schlegel and Wilcox families; Margaret Schlegel, having accepted Henry Wilcox's marriage proposal, has enlightened her sister Helen to the news. ... Here we see a direct acceptance from Margaret that the world needs its Wilcox's; through her diction Henry becomes part of England's history. ...
Particularly the final chapter , deep space and beyond, involves a sequence where the protagonist David Bowman is travelling through, depending on the viewer's interpretation, dimensions of space, time or a communication with extra-terrestrial beings. ... Each part progresses the exploration of mankind, implying that these monoliths impact the human race. ...
