1. Beethoven's Cello Sonata Op.69
For Beethoven, therefore, the cellist's phrase could be shaped from note to note using fluctuations of tone colour, and Czerny's remark that the sonata must be "distinguished more by beauty of tone and performance, than by excessive rapidity" lends further support to this point. ... As early as 1756, Leopold Mozart had advised its use on "a closing note or any other sustained note," while Baillot wrote in 1803 that it could be applied on "long notes or when the same note is repeated." Tromlitz advised its use on "long notes, fermatas, and on the note before a cadenza." ... Du P...
- Word Count: 1498
- Approx Pages: 6
- Has Bibliography
- Grade Level: Undergraduate