1. The Complexity of Masaccio's Trinity
I was that person that Kenneth Clarke spoke of, my aesthetic experience was curtailed but as my knowledge base grew with each lecture, my appreciation for this magnificent piece and the skills involved in its creation grew (Clarke K., 1974) I have chosen to focus on two key aspects of this work, the subject matter, and the linear perspective. ... Masaccio uses linear perspective to suggest, that the figures recede back into the depicted chapel space. ... This creates the illusion that the space we are looking at in the fresco is actually a continuation of the chapel space the viewer is standi...
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- Grade Level: Undergraduate