1. Frankenstein and Les Fleurs du Mal
This is most notable when examining Charles Baudelaire's Les Fleurs du Mal (1857) and Mary Shelley's Frankenstein (1817). ... In Frankenstein, we see Shelley convey her Romantic religious view that man can never overcome the divine and sublime power of nature. This means that Shelley characterises mother-nature to be omnipotent throughout her novel. ... By using the metaphor of the curtain as the barrier between life and death, Baudelaire expresses his disappointment that God is not waiting to greet him on the other side by writing "I was waiting still". ... In the cases of...
- Word Count: 1085
- Approx Pages: 4
- Grade Level: Undergraduate