This difference would be the foundation for his desire to change the way African-Americans co-existed in America. ... In this stage of his life, he encouraged direct assaults on the legal, political, and economic system, which he felt blossomed out of the exploitation of the poor and powerless black community. ...
It is known that he has a passion for historical theatre, he created small versions of theatres and plays in boxes and puts situations on stage that belong to Senegal and typically uses strong symbolism, found objects and geometric motifs which is an integral part African aesthetics and the rhythm that forms it. The work Coronation of Musaa Moolo Casamace, Southern Senegal consists of beadwork, found objects like cans shaped to represent figues and an overall stage-like composition, it speaks mainly of cultural rituals in Casamance and hope for the future (Magnin, 1996: 89). ... Her work began...
According to the Constitutional Rights Foundation, men, women, and children were required to "reside on the employer's property, remain quiet and orderly, work from sunup to sunset except on Sundays, and not leave the premises or receive visitors without the master's permission.... In 1968, Mexican American students in Los Angeles, California staged a walkout. ...
