In order to understand the development of cubism one must first consider the background in which it derived. ... Cubism became a response to the events, the time, and the space. ... Cubism was unlike this entirely. Cubism wanted to depict the more natural world of the moving eye and human being. ... Over and over again, you will find that Picasso has had the "figures and objects dissected or 'analyzed' into a multitude of small facets, these were then reassembled, after a fashion, to evoke those same figures or objects," (Gersh-Nesic). ...

• Word Count: 1424
• Approx Pages: 6
• Has Bibliography
• Grade Level: Undergraduate

Schoenberg's Second String Quartet, expressionistic facets in the paintings of W. ... Madox Ford, Gertrude Stein (to name a few) and the invention and creativity of cubism from the studios of Pablo Picasso, Henri Matisse, George's Braque and many others, became an explosion of avante-garde works that foreshadowed a period of contemporary and differential views, which strayed from the au courant society that had been established before. To name one, Cubism as aforementioned is the art of analysing objects that are disassembled and recreated in an abstract form, retaining the unusual m...

• Word Count: 1658
• Approx Pages: 7
• Has Bibliography
• Grade Level: Undergraduate