In much the same way Broomfield creates this persona of a man searching for the truth and in the past decade has chosen only pop culture figures as the subjects for his films. ... There is even often a concluding confrontation with the "hero" Moore/Broomfield and the selected villain, this is perhaps best exemplified by Moore confronting Heston in the final section of Bowling For Columbine with Moore shouting and appearing upset holding a picture of a dead schoolgirl and begging Heston to look at her, he walks away and the film follows Moore as he solemnly places the photo by Heston's Hou...

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• Approx Pages: 10
• Grade Level: Undergraduate