Faeries, gnomes, goblin kings, dreams, symbolism and fantasy; these are the most essential building blocks in the wildly creative world of Jim Henson's movie, "Labyrinth." ... In fact, Bowie himself wrote the music, as Henson gave him nearly full creative license regarding this as well as his character's script. ... Technically speaking, Labyrinth is based within a fantastical realm "something that a young, particularly creative pre-teen girl might dream of." ... Without the use of the creative set and puppet characters, the message in "Labyrinth" would fall hopelessly short. ...

• Word Count: 2010
• Approx Pages: 8
• Has Bibliography
• Grade Level: Undergraduate

This creative approach stresses that the exterior of the individual is non other than a facade. ... She states a rather domino effect that not only affects women but also in writing fiction. ... The education Judith receives is minimal compared to her brothers and due to society's standards she is forced to conform and deprive herself of writing, which eventually leads to the cause of her suicide. ...

• Word Count: 1227
• Approx Pages: 5
• Has Bibliography
• Grade Level: Undergraduate

In turn, the author's creative "premeditation" susceptible to all unexpectedness, is problematised by aleatoric act of the hero. ... Since these "instants" before the reader's eyes, at his interested partnership as he is involved and willingly gives himself to involve in discussion of variants of development of a plot, the aleatorica of the novel is unwrapped, supported by author's references on Alan Rob-Grije, Rolan Bart and other theorists of the "writing". ...

• Word Count: 2592
• Approx Pages: 10
• Grade Level: Undergraduate