An antagonistic bartender defends the virtues of motion pictures to a photography purist, and later a JFK assassination conspiracy theorist starts a conversation with a girl by mentioning an "anthropology of ethnographic film" class they had both taken. ...
Unlike other documentary filmmakers who endeavour to depict events that are occurring without the intervention of the filmmaker (Bakri's Jenin, Jenin for example) Moore and Broomfield are antagonists for their own films, they personally create scenes for the purposes of the film with what has been described as "ambush journalism" by critics. ...