It is for about only one act that this play is without a truly honorable hero. ... The audience sees how much Othello trusts his wife in the first act. ... Iago being one of Othello's generals has Othello's trust. ... In Act III scene III Iago and Othello have a conversation about who is doing Othello wrong. ... Throughout the first five acts of this play the only person that Emilia truly trusts is Desdemona. ...

• Word Count: 1287
• Approx Pages: 5
• Has Bibliography
• Grade Level: High School

(Act 3, scene 3, 167-68) were Iago's words to Othello. ... (Act 3, scene 3, 420-21). ... (Act 3, scene 3, 90-92). ... (Act 4, scene 2, 181-82). ... In act five, scene one, Roderigo attempts to kill Cassio but only manages to wound him. ...

• Word Count: 1955
• Approx Pages: 8
• Grade Level: High School

In the play, Othello, by William Shakespeare, the memorable ideas have been presented through dramatic techniques by the characterization of Iago and Othello. ... Through soliloquies, he openly confesses to the audience his plans to deceive Othello where he will get revenge on Othello and "pour pestilence into his ear" (2.3.338). ... In Act five Scene One, Shakespeare uses dramatic action and tension where Roderigo attempts to kill Cassio. ... He conveys a clear perception of Desdemona's innocent nature which makes her vulnerable to his scheming act, "so will I turn her vir...

• Word Count: 1702
• Approx Pages: 7
• Grade Level: High School

Just as Iago noted in Act three, scene three, lines one hundred and ninety-five to one hundred and ninety-six, jealousy would be Othello's demise. ... Cassio's conversation with Desdemona at the opening of Act three played right into the hands of Iago. ... Iago subtly plants suspicion in Othello's mind, and unaware as Othello may be, it is all that is needed to fuel his jealousy. ... Honest Iago, the man Othello trusted far beyond a normal realm of trust, pushed Othello into the death trap of suspicion. ... Maybe if he had Othello would have seen the plan Iago had in mind, a...

• Word Count: 888
• Approx Pages: 4
• Grade Level: High School

He was recognized by the American Film industry while he acted on Broadway. ... He won four Academy awards, and was nominated for eleven, including Best Actor for Othello, Henry V, Rebecca, and Wurthering Heights and several other roles he played. Olivier won five Emmy Awards. ... Despite his poor health he continued to act, and made his last television appearance in War Requiem (1988). ...

• Word Count: 657
• Approx Pages: 3
• Grade Level: High School

Tamora and her family goes as far as disguising themselves in act five, scene two and she displays to the reader the revenge she seeks in lines such as: "Thus, in this strange and sad habiliment, I will encounter with Andronicus, and say I am revenge, sent from below to join with him and right his heinous wrong. ... He does have some amazing characterizations, one that stands out from Othello, black Moore created by Shakespeare. ... (Act 4, Scene 2) Then towards the ending of the play he pleads for the son's life and makes a deal with the Romans in order for the survival of his child...

• Word Count: 743
• Approx Pages: 3
• Grade Level: High School

The layout of the stage consisted of five levels. ... However, Shakespeare wrote, produced, and sometimes even acted in his own plays. ... Shakespeare's next great tragedy was Othello, which was a tragedy of jealousy. ... After Othello, Shakespeare wrote Macbeth, a tragedy of ambition (Best). ...

• Word Count: 1655
• Approx Pages: 7
• Grade Level: High School

From Julius Caesar to Macbeth, from Othello to Hamlet, Shakespeare presented at least one machiavel. ... Only after Lear sparks the fire of his ultimate demise, the exiling of both Cordelia and Kent, are the readers presented with the true villainous self of Edmund in his soliloquy in Act I, Scene ii. ... As everyone else is on a downward spiral, Edmund rises higher than all the other characters in King Lear, such as Machiavelli's Prince would act once created by the degeneration of the surrounding Shakespearian roles. ... When the prince needs to be deceitful, though, he must not appea...

• Word Count: 1654
• Approx Pages: 7
• Has Bibliography
• Grade Level: High School

From Julius Caesar to Macbeth, from Othello to Hamlet, Shakespeare presented at least one machiavel. ... Only after Lear sparks the fire of his ultimate demise, the exiling of both Cordelia and Kent, are the readers presented with the true villainous self of Edmund in his soliloquy in Act I, Scene ii. ... As everyone else is on a downward spiral, Edmund rises higher than all the other characters in King Lear, such as Machiavelli's Prince would act once created by the degeneration of the surrounding Shakespearian roles. ... When the prince needs to be deceitful, though, he must not appea...

• Word Count: 1653
• Approx Pages: 7
• Has Bibliography
• Grade Level: High School

He told her his feelings toward her "My dearest love" (act I, scene v, l 58). ... Macbeth had decided in order to prove his manhood he must go through with this horrible act. ... (Act V, scene vii, l 9). ... Love is a powerful force and people act irrationally when under its spell. ... Scotland makes accusations through Banquo's soliloquy and the nobles speaking of Macbeth in act five proving their beliefs of murder. ...

• Word Count: 2620
• Approx Pages: 10
• Grade Level: High School

Their interactions are characterized by denial, suspicion, insecurity, guilt, isolation, and resentment. (34)" The fourth act brings the closest thing to resolution possible for the Tyrone's. ... The forth act begins with Edmund returning, to find his father alone and drunk. ...

• Word Count: 4355
• Approx Pages: 17
• Has Bibliography
• Grade Level: High School